(Lidia Alfonsi and Michèle Mercier in I tre volti della paura, 1963). Madeleine Fischer, Steve Reeves, Giacomo Rossi Stuart, En 1962, Bava réalise son premier thriller, La Fille qui en savait trop dans lequel il commence à jeter les bases de ce que sera le giallo avant de renouer avec l'univers gothique et sadique de ses débuts dans Le Corps et le Fouet. Grâce aux succès public aux États-Unis du masque du démon et des trois visages de la peur, Bava signe un contrat de cinq films de science-fiction pour American International Pictures, mais n'en réalisera qu'un, Terrore nello spazio, dont se souviendra Ridley Scott pour Alien.
[12][13] These films were partially produced by the Italian production company Galatea, who had suspend their production and distribution by 1964, leaving Bava to then have the rest of his career move from producer to producer, with left Bava "not always happy with the results" according to Curti. [41] The review commented on Bava's direction as setting "a grim mood never relinquished and music score by [Rustichelli] maintains this atmosphere.
With their virtuoso photography and budget-belying visual effects, his films transcend their unassuming origins and played a vital role in shaping the horror movie as we think of it today. The screenplay underwent several rewrites, and Mother of Tears wound up being the most poorly received entry in Argento’s career. Richard Egan, Leonora Ruffo, Durant son adolescence, ses rapports avec ses parents sont très bons.

Still, it is often pointed to as one of the direct antecedents of the American slasher genre that would prevail in the 1980s.

Uncredited cinematographer and on screen as the man in the parking lot. It existed during de Sade’s time, and it exists now. Director: Sauf indication contraire ou complémentaire, les informations mentionnées dans cette section peuvent être confirmées par la base de données IMDb. Dario Argento, AKA “Master of the Thrill” and “Master of Horror,” made his directorial debut with The Bird With the Crystal Plumage (1971) and went on to film such Italian horror classics as Deep Red (1975) and Suspiria (1977). John Phillip Law, [57] It has been imitated in several films, including J. Lee Thompson's Happy Birthday to Me, Argento's Two Evil Eyes, and Martin Scorsese's Kundun.

Avec ce film, qui est souvent considéré comme son chef-d'œuvre, où culmine son goût pour les lumières et les couleurs flamboyantes et les décors surchargés, Bava signe l'acte fondateur du giallo. One of them, however, is willing to kill for it, and models start dropping like flies as the hunt for the faceless killer plays out like a whodunnit gone awry. 87 min This villain tends to be a faceless anonymous killer with some perverse mania and his more often than not female victims’ graphic and artful demises are usually sexualized in some way. Fondato has previously worked on a number of comedies prior to Blood and Black Lace and had previously worked on the script for Black Sabbath. Horror, Mystery. | For me though, what makes this such a great movie is the look. 82 min Hercules must journey in Hades itself to retrieve the magic stone that will free his love from the powers of darkness. Sylva Koscina, The murderer next visits Peggy's apartment. Il est considéré comme le maître du cinéma fantastique italien et l'un des créateurs du genre dit giallo. The mortally wounded Cristiana collapses next to Morlacchi's corpse. His 1965 sci-fi/ horror film Planet of the Vampires was a thematic precursor to Alien (1979). Stars: [20] Bartok at the time was known for her work in the American film The Crimson Pirate directed by Robert Siodmak. 90 min Stars: Police Inspector Silvestri is assigned to investigate the murder and he interviews Massimo Morlacchi, the manager who co-manages the salon with his lover, the recently widowed Countess Cristiana Cuomo. Silvestri is convinced that the murderer is one of the men employed at the fashion house, so he arrests all of those he believes might be related to the deaths. Mais en 1939, il commence sa carrière dans le cinéma comme directeur de la photographie sur deux courts métrages de Roberto Rossellini. The word giallo means “yellow” in Italian, and the term was originally applied to pulp mystery novels of the 1920s and 1930s that were issued in paperback and usually had a yellow background on the cover. French names were needed for the co-production. [14] The French partner was Georges de Beauregard, who would work with productions varying from Jean-Luc Godard's Breathless and Le petit soldat to genre film co-productions like Goliath and the Rebel Slave and The Vampire of Düsseldorf. This type of thriller dealt with murder and madness in often very lurid – and frequently quite incoherent – ways. Directed by Lamberto Bava, Delirium (released in Italy as Le foto di Gioia,  or “Photos of Gioia”_ involves a former prostitute who inherits a men’s magazine called Pussycat after her husband dies. Tell us what you think about this feature. Adventure, Fantasy, Horror. Seeking to avenge her parents’ murder by cannibals, Catherine Miles (Elvire Audray) wanders into the Amazon jungle, only to be taken prisoner by headhunters and to fall in love with their chief warrior. Director: [23] Arden spoke on the script saying the "Italian guy who wrote the script had no great knowledge of American or English conversation, so the script was full of mistakes. It’s loosely based on surrealist novelist Nikolai Gogol’s short story “The Viy,” it involves a witch (Steele) who was killed two hundred years ago but has now returned to exact vengeance on the descendants of her killers. A Carpathian village is haunted by the ghost of a murderous little girl, prompting a coroner and a medical student to uncover her secrets while a witch attempts to protect the villagers. Mario Bava Stars: This entry was posted on July 2, 2020 at 4:04 pm and is filed under Alfred Hitchcock, Arnoldo Mondadori Editore, Black Christmas (1974), Blood and Black Lace (1964), Boris Karloff, Dario Argento, Five Dolls for an August Moon (1970), Giallo, Hatchet for a Honeymoon (1970), I tre volti della paura (1963), Jane Austen, John Saxon, Krimi, Mario Bava, Nightmare on Elm Street (1984), Northanger Abbey (1817), Suspiria (1977), The Girl Who Knew Too Much (1963), The Man Who Knew Too Much, Thriller TV Series, Ubaldo Terzano with tags Alfred Hitchcock, Arnoldo Mondadori Editore, Black Christmas (1974), Blood and Black Lace (1964), Boris Karloff, Carlo Rustichelli, Dario Argento, Five Dolls for an August Moon (1970), Giallo, Hatchet for a Honeymoon (1970), I tre volti della paura (1963), Jane Austen, John Saxon, Krimi, Mario Bava, Nightmare on Elm Street (1984), Northanger Abbey (1817), Suspiria, The Girl Who Knew Too Much (1963), The Man Who Knew Too Much, Thriller TV Series, Ubaldo Terzano. Directors: Luciano Pollentin, GP

[23] While Lucas stated that filming ended into mid-January 1964, the documents found by Curti declared that the film was finished on October 26, 1963.

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I really love this film. Les films de ce type sont caractérisés par de grandes scènes de meurtres excessivement sanglantes, un jeu de caméra très stylisé et une musique inhabituelle (ceci est particuliè… Le genre appelé « giallo » naît au cinéma dans les années 1960. That night, the voluptuous Tao-Li is drowned in her bathtub by the masked killer who, immediately after the murder, removes the mask and is revealed as Cristiana. (Mangiati vivi!) non-Italian) who witnesses a crime and ends up being so moved by the experience that they try to sleuth out who the perpetrator is. IGN‘s David McCutcheon called Nude per l’assassino (Strip Nude for Your Killer) an “infamous shocker that packs more grisly violence and sexual depravity into each frame than just about any other film.”. It included Italians Arianna Gorini and Francesca Ungaro, American actress Mary Arden, French actor Claude Dantes, and Germans Thomas Reiner and Lea Lander. We can not deny that, as a butcher, he has a pulse. Mario Bava The subsequent victims are all models and photographers who worked at the same agency as the girl who died during the abortion, and they’re all being killed by a mysterious man who wears a black motorcycle outfit and helmet. Horror, Mystery. In what has been called “the weirdest zombie movie ever made,” The Cemetary Man (Dellamorte Dellamore) tells the sad tale of a lonely, bullied  gravedigger and cemetery night watchman named Francesco Dellamorte (Rupert Everett), who has a problem with the dead bodies that are sent to his cemetery—they only stay dead for a week. She decides to escape out the second story window and then tries to climb down a drainpipe, which falls under her weight, slamming her to the ground. Gérard Herter, The setting... See full summary », Directors: A tourist spends the night in a derelict Spanish villa seemingly held in the supernatural grip of an eccentric butler, who resembles a depiction of the Devil she had seen on an ancient fresco. Mario Bava took a vital role in the creation of the modern horror film. | [14] According to documents at Rome's Archive of State, De Beauregard's largest contribution to the film was future film director Bertrand Tavernier as an assistant director. A small group of people come to an island to relax but soon find themselves trapped on the island with a murderer in their midst. “a solid giallo flick worth seeing for its strong use of its Venetian setting, solid performances, and great kill sequences.”, A married teacher and a student with whom he’s having an affair take a leisurely boat trip on a pond. Mario Bava Ira von Fürstenberg, [32] Reviews in Europe from La Stampa noted the film was "finely photographed" and that it "dispenses thrills and emotions more by way of the director's excellent technique than with the shaky gimmicks of a clumsy script" while Corriere d'Informazione found the film to be "technically remarkable, but as a spectacle it is asthmatic. Mario Bava Henry Levin Generally, giallo films were atmospheric in their visuals, and blended psychological tension with horror and sexuality, and were excessively gory. Avec Opération peur, Bava renoue à nouveau avec le film de terreur et le fantastique gothique. Cristiana prepares to leave the victim's apartment when she is interrupted by a knocking sound on the front door followed by the loud voice of a man identifying himself as the police. "[41] The critic credited as "P.J.D." [15] Lucas stated that the film Mannekäng i rött from 1958 may have also influenced the film which featured color cinematography similar to that of Bava's with diffused lighting filters as well as the film's plot being set in a fashion salon where murders are taking place.

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